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"luz en lo oscuro" [light in the dark], mesquite charcoal, soil from Rio Grande Valley, radish ink, graphite on cotton paper, 2025, dimensions vary
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During my Ragdale residency, I researched natural pigments gathered from Ragdale's garden, the Rio Grande Valley, and from the vegetation I grew during my UTRGV Beginner Farmer Fellowship.
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"ecospiritualism", purple radish ink, soil from the Rio Grande Valley and graphite on cotton paper, 2025, 9in x 12in
"growth", beet watercolor, egg shell gouache, soil from the Rio Grande Valley on birch wood, 2025, 10in x 10in
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"sunlight of an absent sun", mesquite charcoal on paper, 2016, dimensions vary
the cry is silenced
with the sound
of the wind,
the leaves
circling around an abyss of ash
that obscures the sun at midday.
sunlight of an absent sun uses mesquite charcoal as a time-based material to translate a site of trauma of the South Texas borderlands.
with the sound
of the wind,
the leaves
circling around an abyss of ash
that obscures the sun at midday.
sunlight of an absent sun uses mesquite charcoal as a time-based material to translate a site of trauma of the South Texas borderlands.
